SOUND

The music moves between worlds — from ethereal soundscape and neo-classical ambience to hybrid cinematic score and electronic production. Working with electric harp, live looping, Ableton, synthesisers, and spatial sound design, the compositions draw equally from the acoustic and the electronic, the ancient and the contemporary.

Influences span Aphex Twin, Hans Zimmer, Jon Hopkins, Nils Frahm, Massive Attack, and Ólafur Arnalds. The instrument is the harp. The studio is sometimes a room. Sometimes it is a landscape.